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Matthew Lien (lee-ENN), a resident of Canada'
Yukon Territory, has been composing, recording
and producing music for most of his life.
Singing traditional German and American folk
songs as a child with his family, he graduated
to the guitar and piano by the age of 10.
With formal music lessons leaving him uninspired,
he abandoned them after a few weeks and proceeded
to teach himself piano and music theory, drawing
inspiration and knowledge from friends and
family.
The Adventure Begins
Matthew's adventures in studio production
started in High School, which led to his
early experimental productions such as
"The Matthias Project", and
his first professional demo recording
with his post-high school band, Down To
Earth. These experiences drew him deeper
into the limitless world of sound production,
and eventually to his first solo self-produced
album, "Music To See By", which
was produced over the course of 3 years
and officially released in 1987.
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Following the release of "Music To
See By", Matthew's second album "Bleeding
Wolves" reached multi-platinum status
within a year of its international release
in 1995. In southeast Asia, primarily
in Taiwan and mainland China, Matthew
has achieved phenomenal (and, for a foreigner,
unprecedented) success. Matthew's two
releases, "Voyage To Paradise"
and "Touching The Earth," occupied
Taiwan's International Top 20 pop charts
ahead of such artists as Eric Clapton,
Celine Dion and The Backstreet Boys. "Touching
the Earth" remained on the Top 20
charts for 11 weeks, sharing the charts
with a second resurgence of "Bleeding
Wolves".
Matthew's unique approach to music production
has yielded six solo albums, an album
with the Wildlands ensemble, and numerous
other projects and commissioned works.
In addition to his studio work, Matthew
is known for his exciting live performances
which are regularly sold out and have
attracted audiences of over 30,000...
even in the pouring rain!
Eco-Music Without Borders
Matthew draws considerable inspiration
from the natural world. In an effort to
create a moving and inspiring experience
for live audiences, and out of a strong
desire to raise awareness about endangered
wilderness, Matthew and renowned photographer
and white-water paddler Ken Madsen developed
the Yukon Wildlands Project. The pair
have traveled rivers of the Yukon, British
Columbia, Northwest Territories and Alaska,
coordinating other musicians and artists
in an effort to interpret these areas
through music, visual images and sound
design. Matthew has recorded peregrine
falcons attacking grizzly bears, calving
glaciers, squeaking furry picas, rolling
icebergs and much more. Edited into six-channel
surround sound, the material is then woven
into original music composition and set
ablaze in thrilling live performances
with stunning photographic projection,
dramatic sets and lighting design.
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The latest and most ambitious of these
collaborations between Madsen and Lien
is the Caribou Commons Project, which
has grown into a coalition of environmental
and aboriginal representatives dedicated
to the protection of Alaska's Arctic National
Wildlife Refuge and the Canadian range
of the Porcupine River caribou herd which
calve in the Arctic Refuge each year.
The Caribou Commons Project has completed
several international efforts including
a live concert tour which crossed Canada
and the United States (including such
renowned venues as the Fitzgerald Theater
in St. Paul, Minnesota, and the Canadian
Embassy in Washington, D.C.), as well
as smaller multimedia presentations throughout
North America. More recently, the "Walk
To Washington, D.C. for the Arctic Refuge"
completed a self-propelled journey of
several thousand miles across the United
States, with performances and events along
the route climaxing at Capitol Hill in
the United States.
The Caribou Commons Project continues to
draw attention to the threat of oil and
gas development in the Arctic National
Wildlife Refuge and the sensitive calving
grounds of the Porcupine River caribou
herd, and Matthew is currently at work
on a new CD entitled "Arctic Refuge,"
dedicated to this issue.
In Performance
Televised nationally and broadcast internationally
on television, radio and the Internet,
Matthew's live performances in southeast
Asia are nearly legendary. In September
1999, his "Rebuilding Formosa"
concert tour drew a crowd of over 30,000
people to Taiwan's Chiang Kai-shek Memorial
Square in the capital city of Taipei,
and the performances combined raised more
than $600,000 for earthquake relief efforts.
By Invitation of Taiwan's Central Government,
on April 22, 2000 Matthew again took the
stage in Chiang Kai-shek Memorial Square
along with his 25-member ensemble from
Canada, Taiwan and Ghana, for a memorable
celebration establishing Earth Day in
Taiwan.
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Matthew has received honours never before
bestowed upon a foreigner in Taiwan. In
April 1999, he was the first foreigner
ever to perform at the Golden Melody Awards
(Taiwan's "Grammy Awards").
A year later, Matthew returned to the
awards as the first foreigner to be nominated
for Best Album of the Year ("Voyage
to Paradise"). At home in Canada,
he was awarded the Parliamentary Certificate
of Honour, and recently received a West
Coast Music Award for his album "In
So Many Words".
In recognition of Matthew's work with the
aboriginal peoples of Taiwan, the magistrate
of Kaohsiung Province and its several
aboriginal tribes appointed him "Ambassador
to Aboriginal Culture." Back home,
the Yukon Government recognized his achievements
by appointing him Special Envoy to Taiwan.
Matthew's work in Taiwan continues with
great focus, where he maintains a commitment
to protecting the old-growth forests of
3,000 year-old Cypress trees in the Chi-Lan
Mountain area, and where he has been the
honoured guest and performer for numerous
Governors, the Prime Minister, the Vice
President, and Taiwan's President Chen.
Closer To The Heart
At the heart of Matthew's success is, of
course, his music. Matthew continues to
interpret World Music in his own unique
way by incorporating Celtic, European
folk, light jazz, classical, and traditional
and aboriginal influences into his work.
Matthew's original compositions touch
a deep and rare chord with people and
continue to endear him to audiences the
world over. As Matthew explores new and
challenging musical directions, his music
will continue to resonate with people
everywhere.
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